quotations about writing
Usually, you don't know where a book comes from ... it's just there, some kind of an itch that you can't quite scratch.
CORMAC MCCARTHY
interview with Oprah Winfrey, June 1, 2008
What separates the professionally successful ... from all the rest is their ability to stay steady, to have stamina. It is one thing to write a good sentence, another to write a good book.
KATY LEDERER
interview, Identity Theory, February 12, 2005
When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.
ERNEST HEMINGWAY
The Paris Review, spring 1958
Writing has freed me from the despair of living.
ANITA BROOKNER
The Paris Review, fall 1987
A great writer has a high respect for values. His essential function is to raise life to the dignity of thought, and this he does by giving it a shape.
ANDRÉ MAUROIS
The Art of Writing
Every experience shapes your writing, being stuck in a car on a lonely bridge, or dancing at a prom, being the it girl on the beach, all of those things influence your life, they influence how you write, and the topics you choose to write about.
MAYA ANGELOU
Facebook post, October 13, 2012
He who will not listen to any advice, nor be corrected in his writings, is a rank pedant.
JEAN DE LA BRUYÈRE
"Of Works of the Mind", Les Caractères
I do everything they tell you not to. I go back and fix things as I go, otherwise I can't move forward. I don't write every day, I write in binges. I don't write drafts, what I write, fixed as I go, is pretty much what gets published. Everybody writes differently, and there are a lot of people who want everybody to write in the same way, people who have a lot invested in telling people to write a whole crappy first draft and then revise it, and so on. That absolutely doesn't work for me. I tell people there are things they can try, and things that might help, but there aren't any rules, except to do what works for you, what gets the story on the page.
JO WALTON
interview, RT Book Reviews
I hardly ever work from a synopsis -- I find they act like chains.
TANITH LEE
Realms of Fantasy, August 2009
I'm grateful when stories come in a rush, although I keep an eye on them afterwards, to see whether they hold together. It's harder to judge the ones that took so long to finish. With those, I've lost perspective. Mostly I'm just glad that I can be done with them.
KELLY LINK
"Words by Flashlight", Sybil's Garage, June 7, 2006
I'm not interested in writing short stories. Anything that doesn't take years of your life and drive you to suicide hardly seems worth doing.
CORMAC MCCARTHY
The Washington Post, November 13, 2009
I've come to believe that a huge part of getting better at writing is forcing yourself to see the things that have been in the corner of your eye all along. That means writing stories that include characters from other cultures and backgrounds--but also, being more open to other viewpoints in general. It also means interrogating all of your other lazy ideas and drilling into all of the "of courses" that you let yourself get away with.
CHARLIE JANE ANDERS
"The Single Most Important Thing You Can Do To Make Your Writing More Awesome", Gizmodo, February 25, 2016
Ideas are infinite--writers are hardwired to think that way. We keep it fresh by using new people, mixing character types and putting them in a different setting. It's always the first book all over again, but one idea can be told a thousand different ways. There are 88 keys on the piano, but you can make an infinite amount of music from those keys.
NORA ROBERTS
Time Magazine, November 29, 2007
Irish English is a very different beast from English English or American English. Very different. The way in which Irish writers are only too happy to infuse their language with ambiguity is very different. An English writer will try to be clear. Orwell said that good prose should be like a pane of glass. The Irish writer would say: 'No no, it's a lens, it distorts everything.'
JOHN BANVILLE
"Oblique dreamer", The Guardian, September 17, 2000
It is the specialist's task to talk about means, about centimeters. An artist's task is to talk about the goal, about kilometers, thousands of kilometers. The organizing role of art consists of infecting the reader, of arousing him with pathos or irony -- the cathode and anode in literature. But irony that is measured in centimeters is pathetic, and centimeter-sized pathos is ridiculous. No one can be carried away by it. To stir the reader, the artist must speak not of means but of ends, of the great goal toward which mankind is moving.
YEVGENY ZAMYATIN
The Goal
Oh, I've discarded a great many [poems]. And occasionally I've discarded and then resurrected. I would find a crumpled yellow ball of paper in the wastebasket, in the morning, and open it to see what the hell I'd been up to; and occasionally it was something that needed only a very slight change to be brought off, which I'd missed the day before.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968
Rejections are painful, but inevitable. They're every writer's rite of passage.
OCTAVIA E. BUTLER
"Furor Scribendi", Bloodchild and Other Stories
Rewrite, rewrite, rewrite, don't be precious about your first draft, it's an architectural blueprint to a whole building, be your own worst critic, confront your weakness and remember it's a craft.
TOBSHA LEARNER
interview, Booktopia, February 22, 2011
The writer's joy is the thought that can become emotion, the emotion that can wholly become a thought.
THOMAS MANN
Death in Venice
There is a part of me in every character, naturally. That's why novelists rarely write good autobiographies. You start one and it becomes another novel.
JOHN DOS PASSOS
New York Times, November 23, 1941