WRITING QUOTES XII

quotations about writing

Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.

JOAN DIDION

The Paris Review, spring 2006


The final lesson a writer learns is that everything can nourish the writer. The dictionary, a new word, a voyage, an encounter, a talk on the street, a book, a phrase learned.

ANAÏS NIN

attributed, French Writers of the Past


The writer must believe that what he is doing is the most important thing in the world. And he must hold to this illusion even when he knows it is not true.

JOHN STEINBECK

New York Times, June 2, 1969

Tags: John Steinbeck


We need the expressive arts, the ancient scribes, the storytellers, the priests. And that's where I put myself: as a storyteller. Not necessarily a high priestess, but certainly the storyteller. And I would love to be the storyteller of the tribe.

TANITH LEE

"Love & Death & Publishers", Locus Magazine, April 1998

Tags: Tanith Lee


Well, when I was a young writer the people we read were Hemingway, Fitzgerald, Sartre, Camus, Celine, Malraux. And to begin with, I was a bit of a copycat writer and very derivative and tried to write a novel using their voices, really.... I keep it out of print.

MORDECAI RICHLER

interview, Brick 81, 1989


Writers are made--forged, really, in a kiln of their own madness and insecurities.

CHUCK WENDIG

250 Things You Should Know About Writing

Tags: Chuck Wendig


Yet do not miss the moral, my good men.
For Saint Paul says that all that's written well
Is written down some useful truth to tell.
Then take the wheat and let the chaff lie still.

GEOFFREY CHAUCER

The Canterbury Tales

Tags: Geoffrey Chaucer


Fiction is about everything human and we are made out of dust, and if you scorn getting yourself dusty, then you shouldn't try to write fiction. It's not a grand enough job for you.

FLANNERY O'CONNOR

Mystery and Manners


Fiction is based on reality unless you're a fairy-tale artist, you have to get your knowledge of life from somewhere. You have to know the material you're writing about before you alter it.

HUNTER S. THOMPSON

interview, Associated Press, 2003


Gotta have a head like a wrecking ball, a spirit like one of them punching clown dummies that always weeble-wobbles back up to standing. This takes time. Stories need to find the right home, the right audience. Stick with it. Quitting is for sad pandas.

CHUCK WENDIG

250 Things You Should Know About Writing

Tags: Chuck Wendig


He did not seem to know enough about the people in his novel. They did not seem to trust him.

JAMES BALDWIN

Another Country

Tags: James Baldwin


I like to have a thing suggested rather than told in full. When every detail is given, the mind rests satisfied, and the imagination loses the desire to use its own wings. The partly draped statue has a charm which the nude lacks. Who would have those marble folds slip from the raised knee of the Venus of Melos?

THOMAS BAILEY ALDRICH

Ponkapog Papers

Tags: Thomas Bailey Aldrich


I think a writer's job is to provoke questions. I like to think that if someone's read a book of mine, they've had--I don't know what--the literary equivalent of a shower. Something that would start them thinking in a slightly different way perhaps. That's what I think writers are for. This is what our function is.

DORIS LESSING

The Paris Review, spring 1988


I understood that my real problem with writing was not that I couldn't do it mentally. I couldn't do it physically. I could not sit still. Literally, could not sit still. So I had to solve that. I used some long scarves to tie myself into my chair. I tied myself in with a pack of cigarettes on one side and coffee on the other, and when I instinctively bolted upright after a few minutes, I'd say, Oh, shit. I'm tied down. I've got to keep writing.

LOUISE ERDRICH

The Paris Review, winter 2010

Tags: Louise Erdrich


Perhaps the pleasure one feels in writing is not the infallible test of the literary value of a page; perhaps it is only a secondary state which is often superadded, but the want of which can have no prejudicial effect on it. Perhaps some of the greatest masterpieces were written while yawning.

MARCEL PROUST

Within a Budding Grove

Tags: Marcel Proust


Since we must and do write each our own way, we may during actual writing get more lasting instruction not from another's work, whatever its blessings, however better it is than ours, but from our own poor scratched-over pages. For these we can hold up to life. That is, we are born with a mind and heart to hold each page up to, and to ask: is it valid?

EUDORA WELTY

On Writing


So basically, it's totally selfish why I write. There are more harmful ways to spend your time, is how I justify it I guess. If my stories can make others laugh, or make others feel unexpected and complicated emotions, well then it's more than feeling good, then it's a bonus, then its rewarding, then you're building community.

TYLER BARTON

"Millennial Writers on Writing", Huffington Post, February 16, 2016


The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn deep into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures, and situations.

CHINUA ACHEBE

There Was a Country: A Personal History of Biafra


There are only two kinds of books which you can write and be pretty sure you're going to make a living -- cook books and detective stories.

REX STOUT

Royal Decree: Conversations with Rex Stout

Tags: Rex Stout


Think what it would mean if you could teach, or if you could learn the art of writing. Why, every book, every newspaper you'd pick up, would tell the truth, or create beauty. But there is, it would appear, some obstacle in the way, some hindrance to the teaching of words. For though at this moment at least a hundred professors are lecturing on the literature of the past, at least a thousand critics are reviewing the literature of the present, and hundreds upon hundreds of young men and women are passing examinations in English literature with the utmost credit, still -- do we write better, do we read better than we read and wrote four hundred years ago when we were un-lectured, un-criticized, untaught?

VIRGINIA WOOLF

"Words Fail Me", BBC radio, April 29, 1937

Tags: Virginia Woolf