quotations about writing
After all, the original way of writing books may turn out to be the best. The first author, it is plain, could not have taken anything from books, since there were no books for him to copy from; he looked at things for himself.
WALTER BAGEHOT
Literary Studies
A story is a letter that the author writes to himself, to tell himself things that he would be unable to discover otherwise.
CARLOS RUIZ ZAFON
The Shadow of the Wind
You grow a whole lot more as a writer by getting old stories out of the house and letting new ones come in and live with you until they grow up and are ready to go. Don't let the old ones stay there and grow fat and cranky and eat all the food out of the refrigerator. You have dozens of generations of stories inside you, but the only way to make room for the new ones is to write the old ones and mail them off.
ORSON SCOTT CARD
How to Write Science Fiction and Fantasy
Writing by hand, mouthing by mouth: in each case you get a very strong physical sense of the emergence of language--squeezed out like a well-formed stool--what satisfaction! what bliss!
WILLIAM H. GASS
The Paris Review, summer 1977
When we attempt to articulate our tender feelings in writing, we enter an inner dialogue of self-exploration: we forage for the more precise word, the more resonant phrasing. If the writing is done with particular care and attention, there is a Goldilocks quality to it: We rustle through an assortment of terms, discarding one, perhaps as "too weak" or another "too ordinary" until we settle upon the one that is "just right". In doing so, we have discovered something about ourselves.
DANIEL GRIFFIN
"Don't Tell Him You Love Him... Put It in Writing", Huffington Post, February 15, 2016
When a good writer is having fun, the audience is almost always having fun too.
STEPHEN KING
Entertainment Weekly, August 17, 2007
To turn experience into speech -- that is, to classify, to categorize, to conceptualize, to grammarize, to syntactify it -- is always a betrayal of experience, a falsification of it; but only so betrayed can it be dealt with at all, and only in so dealing with it did I ever feel a man, alive and kicking.
JOHN BARTH
The End of the Road
To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.
MARK TWAIN
"How to Tell a Story"
There was a kind of poetry I was seeking in my prose, word to be laid against word in just a certain way, a kind of word color, a march of words and sentences, the color to be squeezed out of simple words, simple sentence construction.
SHERWOOD ANDERSON
Memoirs
The interesting thing is that I rarely look at the outline once I've done it. And when I read the outline once I've written the novel, I realize I've written a totally different book.
JONATHAN KELLERMAN
"Novelist explains how psychology training honed his writing", USC News, February 25, 2016
The first draft is the child's draft, where you let it all pour out and then let it romp all over the place, knowing that no one is going to see it and that you can shape it later.
ANNE LAMOTT
Bird by Bird
The art is never about what you write about. The art is about how you write about what you write about.
CHRIS ABANI
attributed, Stylistic Approaches to Nigerian Fiction
I consider a story merely as a frame on which to stretch my materials.
WASHINGTON IRVING
introduction, Tales of a Traveler
For me, everyone I write of is real. I have little true say in what they want, what they do or end up as (or in). Their acts appall, enchant, disgust or astound me. Their ends fill me with retributive glee, or break my heart. I can only take credit (if I can even take credit for that) in reporting the scenario. This is not a disclaimer. Just a fact.
TANITH LEE
interview, Innsmouth Free Press, November 17, 2009
Fiction writing is like duck hunting. You go to the right place at the right time with the right dog. You get into the water before dawn, wearing a little protective gear, then you stand behind some reeds and wait for the story to present itself. This is not to say you are passive. You choose the place and the day. You pick the gun and the dog. You have the desire to blow the duck apart for reasons that are entirely your own. But you have to be willing to accept not what you wanted to have happen, but what happens. You have to write the story you find in the circumstances you've created, because more often than not the ducks don't show up. The hunters in the next blind begin to argue, and you realize they're in love. You see a snake swimming in your direction. Your dog begins to shiver and whine, and you start to think about this gun that belonged to your father. By the time you get out of the marsh, you will have written a novel so devoid of ducks it will shock you.
ANN PATCHETT
What Now?
Every writer is an iron-monger that melts down old junk into new steel.
AUSTIN O'MALLEY
Keystones of Thought
But most important of all is the structure of the incidents. For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action.
ARISTOTLE
Poetics
Writing has freed me from the despair of living.
ANITA BROOKNER
The Paris Review, fall 1987
When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.
ERNEST HEMINGWAY
The Paris Review, spring 1958
What separates the professionally successful ... from all the rest is their ability to stay steady, to have stamina. It is one thing to write a good sentence, another to write a good book.
KATY LEDERER
interview, Identity Theory, February 12, 2005