WRITING QUOTES III
quotations about writing
I was always a believer, even with word processing, that there's something useful about having to retrace your steps from the beginning. And you have to print it out, too--you only get so far if you work by staring at a screen, because the resolution of the paper page is much higher. Your eye actually takes in things on paper more efficiently. I can fiddle around with something on a screen for days and think I'm getting somewhere, and it won't be right. Then I'll print it out and take it to bed, and instantly it's obvious what's bad about it, and I'll cross out, cross out, cross out.
NICHOLSON BAKER
The Paris Review, fall 2011
All you have to do is write one true sentence. Write the truest sentence you know.
ERNEST HEMINGWAY
A Moveable Feast
A double noose thou on thy neck dost pull
For writing treason and for writing dull.
JOHN DRYDEN
Absalom and Achitophel
My theory of the uses of fiction is that beneficent fiction calls into full life our total range of imaginative faculties and gives us a heightened sense of our personal, social and human reality.
CHINUA ACHEBE
Hopes and Impediments: Selected Essays
A little while back I observed that many people are put off writing because they fear committing one or more of the innumerable errors that seem to lie in wait for them at every step of composition. But if one understands that a sentence is a structure of logical relationships and that the number of relationships involved is finite, one understands too that there is only one error to worry about, the error of being illogical, and only one rule to follow: make sure that every component of your sentence is related to the other components in a way that is clear and unambiguous (unless ambiguity is what you are aiming at).
STANLEY FISH
How to Write a Sentence: And How to Read One
No writing has any real value which is not the expression of genuine thought and feeling.
ELEANOR ROOSEVELT
My Day
Every writer in the country can write a beautiful sentence, or a hundred. What I am interested in is the ugly sentence that is also somehow beautiful.
DONALD BARTHELME
"On Paraguay"
To this day, if you ask me how I became a writer, I cannot give you an answer. To this day, if you ask me how a book is written, I cannot answer. For long periods, if I didn't know that somehow in the past I had written a book, I would have given up.
V. S. NAIPAUL
New York Times, April 24, 1994
I suffer as always from the fear of putting down the first line. It is amazing the terrors, the magics, the prayers, the straitening shyness that assail one. It is as though the words were not only indelible but that they spread out like dye in water and color everything around them. A strange and mystic business, writing.
JOHN STEINBECK
The Paris Review, fall 1975
I don't give a damn what other people think. It's entirely their own business. I'm not writing for other people.
HAROLD PINTER
interview, December 1971
To me, writing is not a profession. You might as well call living a profession. Or having children. Anything you can't help doing.
VICKI BAUM
I Know What I'm Worth
Many writers are there that paint a stolen jade and sell it for a colt at the nearest fair.
AUSTIN O'MALLEY
Keystones of Thought
A writer's greatest pleasure is revealing to people things they knew but did not know they knew. Or did not realize everyone else knew, too. This produces a warm sense of fellow feeling and is the best a writer can do.
ANDY ROONEY
"A Few Words from Andy Rooney: A Face of America Commentary"
It's easy, after all, not to be a writer. Most people aren't writers, and very little harm comes to them.
JULIAN BARNES
Flaubert's Parrot
A true piece of writing is a dangerous thing. It can change your life.
TOBIAS WOLFF
Old School
The author should die once he has finished writing. So as not to trouble the path of the text.
UMBERTO ECO
postscript, The Name of the Rose
Anything that happens to you has some bearing upon what you write.
JOHN DOS PASSOS
The Paris Review, spring 1969
I don't think it is worth explaining how a character's nose or chin looks. It is my feeling that readers will prefer to construct, little by little, their own character--the author will do well to entrust the reader with this part of the work.
JOSÉ SARAMAGO
The Paris Review, winter 1998
Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing. I couldn't ask for anything better. It's as near to godliness as I can get.... The great thrill is when a sentence that starts out being completely plain suddenly begins to sing, rising far above itself and above any expectation I might have had for it. That's what keeps me going on those dark December days.
JOHN BANVILLE
The Paris Review, spring 2009
I can remember discussing the effect of the typewriter on our work with Tom Eliot because he was moving to the typewriter about the same time I was. And I remember our agreeing that it made for a slight change of style in the prose -- that you tended to use more periodic sentences, a little shorter, and a rather choppier style -- and that one must be careful about that. Because, you see, you couldn't look ahead quite far enough, for you were always thinking about putting your fingers on the bloody keys. But that was a passing phase only. We both soon discovered that we were just as free to let the style throw itself into the air as we had been writing manually.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968