WRITING QUOTES IX

quotations about writing

Should novels generally be 600 pages? No, they should not. Half of writing, maybe 3/4 of writing, is editing. This seems to be a thing that has not gotten through to them. It's my impression that you could get rid of half of most of these books. These people are not good enough to be this long, but they're apparently also not good enough to be shorter.

FRAN LEBOWITZ

interview, Ruminator Magazine, August/September 2005

Tags: Fran Lebowitz


Read heavily in the area where you want to write. Be aware of what's selling and what's doing well but don't try to write to market trends; they are fleeting.

JEFF ABBOTT

interview, Book Browse


My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.

ANNE LAMOTT

interview, Big Think, April 6, 2010


Making a book is a craft, like making a clock; it needs more than native wit to be an author.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

Tags: Jean de La Bruyère


He who will not listen to any advice, nor be corrected in his writings, is a rank pedant.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

Tags: Jean de La Bruyère


Clearly there is no moral obligation to write in any particular way. But there is a moral obligation, I think, not to ally oneself with power against the powerless. An artist, in my definition of the word, would not be someone who takes sides with the emperor against his powerless subjects.

CHINUA ACHEBE

There Was a Country: A Personal History of Biafra


After all, the original way of writing books may turn out to be the best. The first author, it is plain, could not have taken anything from books, since there were no books for him to copy from; he looked at things for himself.

WALTER BAGEHOT

Literary Studies

Tags: Walter Bagehot


You might get the impression that I have a mild contempt for storytelling, which is only somewhat true. For example, I really like Agatha Christie. She obeys the rules of the genre at first, but then occasionally she manages to do very personal things. In my case, I think I start from the opposite point. At first, I don't obey, I don't plot, but then from time to time, I say to myself, Come on, there's got to be a story. I control myself. But I will never give up a beautiful fragment merely because it doesn't fit in the story.

MICHEL HOUELLEBECQ

The Paris Review, fall 2010

Tags: Michel Houellebecq


Writing is -- at least for me -- movement forward, the conquest of a body that I do not know at all, away from something to something that I do not yet know; I never know what will happen -- and here 'happen' is not intended as plot resolution, in the sense of classical dramaturgy, but in the sense of a complicated and complex experiment that with given imaginary, spiritual, intellectual and sensual materials in interaction strives -- on paper to boot! -- towards incarnation.

HEINRICH BÖLL

Nobel Lecture, May 2, 1973


Writers, like teeth, are divided into incisors and grinders.

WALTER BAGEHOT

Estimates of Some Englishmen and Scotchmen

Tags: Walter Bagehot


Writers in this country, particularly novelists, are likely to come to the medium through some back door. Nearly every writer I know was going to be something else, and then found himself writing by a kind of passionate default.

JOHN BARTH

The Paris Review, spring 1985

Tags: John Barth


When I'm writing I find it's the only time that I feel completely self-possessed, even when the writing itself is not going too well. It's fine therapy for people who are perpetually scared of nameless threats as I am most of the time.

WILLIAM STYRON

The Paris Review, spring 1954


When a good writer is having fun, the audience is almost always having fun too.

STEPHEN KING

Entertainment Weekly, August 17, 2007

Tags: Stephen King


We all often feel like we are pulling teeth, even those writers whose prose ends up being the most natural and fluid. The right words and sentences just do not come pouring out like ticker tape most of the time.

ANNE LAMOTT

Bird by Bird

Tags: Anne Lamott


Transitions are usually not that interesting. I use space breaks instead, and a lot of them. A space break makes a clean segue whereas some segues you try to write sound convenient, contrived. The white space sets off, underscores, the writing presented, and you have to be sure it deserves to be highlighted this way. If used honestly and not as a gimmick, these spaces can signify the way the mind really works, noting moments and assembling them in such a way that a kind of logic or pattern comes forward, until the accretion of moments forms a whole experience, observation, state of being. The connective tissue of a story is often the white space, which is not empty.

AMY HEMPEL

The Paris Review, summer 2003

Tags: Amy Hempel


Too much is written by the men who can't write about the men who do write.

JACK LONDON

Martin Eden

Tags: Jack London


There are two men inside the artist, the poet and the craftsman. One is born a poet. One becomes a craftsman.

EMILE ZOLA

letter to Cezanne

Tags: Emile Zola


There are probably seven persons, in all, who really like my work; and they are enough. I should write even if I were the only patient reader, for my aim is merely self-expression.

H. P. LOVECRAFT

"The Defence Remains Open!"

Tags: H. P. Lovecraft


The excitement I get from writing is finding out each day what happens next.

CHARLES DE LINT

"One Thing Leads to Another: An Interview with Charles de Lint", The Yalsa Hub, September 19, 2013

Tags: Charles de Lint


Oh, I've discarded a great many [poems]. And occasionally I've discarded and then resurrected. I would find a crumpled yellow ball of paper in the wastebasket, in the morning, and open it to see what the hell I'd been up to; and occasionally it was something that needed only a very slight change to be brought off, which I'd missed the day before.

CONRAD AIKEN

interview, The Paris Review, winter-spring 1968

Tags: Conrad Aiken