WRITING QUOTES IX

quotations about writing

Occasionally, there arises a writing situation where you see an alternative to what you are doing, a mad, wild gamble of a way for handling something, which may leave you looking stupid, ridiculous or brilliant -- you just don't know which. You can play it safe there, too, and proceed along the route you'd mapped out for yourself. Or you can trust your personal demon who delivered that crazy idea in the first place. Trust your demon.

ROGER ZELAZNY

introduction, "Passion Play"

Tags: Roger Zelazny


The excitement I get from writing is finding out each day what happens next.

CHARLES DE LINT

"One Thing Leads to Another: An Interview with Charles de Lint", The Yalsa Hub, September 19, 2013

Tags: Charles de Lint


Transitions are usually not that interesting. I use space breaks instead, and a lot of them. A space break makes a clean segue whereas some segues you try to write sound convenient, contrived. The white space sets off, underscores, the writing presented, and you have to be sure it deserves to be highlighted this way. If used honestly and not as a gimmick, these spaces can signify the way the mind really works, noting moments and assembling them in such a way that a kind of logic or pattern comes forward, until the accretion of moments forms a whole experience, observation, state of being. The connective tissue of a story is often the white space, which is not empty.

AMY HEMPEL

The Paris Review, summer 2003

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You might get the impression that I have a mild contempt for storytelling, which is only somewhat true. For example, I really like Agatha Christie. She obeys the rules of the genre at first, but then occasionally she manages to do very personal things. In my case, I think I start from the opposite point. At first, I don't obey, I don't plot, but then from time to time, I say to myself, Come on, there's got to be a story. I control myself. But I will never give up a beautiful fragment merely because it doesn't fit in the story.

MICHEL HOUELLEBECQ

The Paris Review, fall 2010

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Writers in this country, particularly novelists, are likely to come to the medium through some back door. Nearly every writer I know was going to be something else, and then found himself writing by a kind of passionate default.

JOHN BARTH

The Paris Review, spring 1985

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Oh, I've discarded a great many [poems]. And occasionally I've discarded and then resurrected. I would find a crumpled yellow ball of paper in the wastebasket, in the morning, and open it to see what the hell I'd been up to; and occasionally it was something that needed only a very slight change to be brought off, which I'd missed the day before.

CONRAD AIKEN

interview, The Paris Review, winter-spring 1968

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All stories must end so, with the next tale winking out of the corners of the last pages, promising more, promising moonlight and dancing and revels, if only you will come back when spring comes again.

CATHERYNNE M. VALENTE

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making


A great writer has a high respect for values. His essential function is to raise life to the dignity of thought, and this he does by giving it a shape.

ANDRÉ MAUROIS

The Art of Writing

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I do everything they tell you not to. I go back and fix things as I go, otherwise I can't move forward. I don't write every day, I write in binges. I don't write drafts, what I write, fixed as I go, is pretty much what gets published. Everybody writes differently, and there are a lot of people who want everybody to write in the same way, people who have a lot invested in telling people to write a whole crappy first draft and then revise it, and so on. That absolutely doesn't work for me. I tell people there are things they can try, and things that might help, but there aren't any rules, except to do what works for you, what gets the story on the page.

JO WALTON

interview, RT Book Reviews

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Too much is written by the men who can't write about the men who do write.

JACK LONDON

Martin Eden

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After all, the original way of writing books may turn out to be the best. The first author, it is plain, could not have taken anything from books, since there were no books for him to copy from; he looked at things for himself.

WALTER BAGEHOT

Literary Studies

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He who will not listen to any advice, nor be corrected in his writings, is a rank pedant.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

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In secluding himself too much from society, an author is in danger of losing that intimate acquaintance with life which is the only sure foundation of power in a writer.

CHRISTIAN NESTELL BOVEE

Intuitions and Summaries of Thought

Tags: Christian Nestell Bovee


Writers, like teeth, are divided into incisors and grinders.

WALTER BAGEHOT

Estimates of Some Englishmen and Scotchmen

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When a good writer is having fun, the audience is almost always having fun too.

STEPHEN KING

Entertainment Weekly, August 17, 2007

Tags: Stephen King


No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.

GAIL CARSON LEVINE

interview, Bookshop Talk, September 22, 2011

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We all often feel like we are pulling teeth, even those writers whose prose ends up being the most natural and fluid. The right words and sentences just do not come pouring out like ticker tape most of the time.

ANNE LAMOTT

Bird by Bird

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There are two men inside the artist, the poet and the craftsman. One is born a poet. One becomes a craftsman.

EMILE ZOLA

letter to Cezanne

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There are probably seven persons, in all, who really like my work; and they are enough. I should write even if I were the only patient reader, for my aim is merely self-expression.

H. P. LOVECRAFT

"The Defence Remains Open!"

Tags: H. P. Lovecraft


Writing is -- at least for me -- movement forward, the conquest of a body that I do not know at all, away from something to something that I do not yet know; I never know what will happen -- and here 'happen' is not intended as plot resolution, in the sense of classical dramaturgy, but in the sense of a complicated and complex experiment that with given imaginary, spiritual, intellectual and sensual materials in interaction strives -- on paper to boot! -- towards incarnation.

HEINRICH BÖLL

Nobel Lecture, May 2, 1973