quotations about writing
Good writers define reality; bad ones merely restate it.
EDWARD ALBEE
Saturday Review, May 4, 1966
The reason I write so slowly is because I try never to leave a sentence until it's as perfect as I can make it. So there isn't a word in any of my books that hasn't been gone over 40 times.
TOM ROBBINS
"In the Creative Process with Tom Robbins; Perfect Sentences, Imperfect Universe", New York Times, December 30, 1993
Making a book is a craft, like making a clock; it needs more than native wit to be an author.
JEAN DE LA BRUYÈRE
"Of Works of the Mind", Les Caractères
I never had a plan, except to write. I love what I do, and have from the beginning. Loving what you do makes it a lot easier to work, every day, to face the tough spots and heel in for the long haul. Nothing against plans; they work for some people. But for me, if I'd been planning, worrying about numbers, trying to micro-manage my career, I wouldn't have focused on the writing. If you don't write, you're not read. If you're not read, you don't sell. So that's my Master Plan, I guess. Write the books, let the agent agent, the editor edit, the publisher publish.
NORA ROBERTS
interview, inReads, October 5, 2011
The demand that I make of my reader is that he should devote his whole life to reading my works.
JAMES JOYCE
interview with Max Eastman, Harper's Magazine, 1929?
Fine writing is generally the effect of spontaneous thoughts and a labored style.
WILLIAM SHENSTONE
Essays on Men and Manners
Writing groups are the best things to happen to a writer since the invention of spell check. (I rely heavily on both so I would know.)
DASHA FAYVINOVA
"9 Reasons Joining A Writing Group Is One Of The Best Ways A Writer Can Grow", Bustle, February 8, 2016
I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me -- the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.
ANAÏS NIN
diary, February 1954
Fiction writing is like duck hunting. You go to the right place at the right time with the right dog. You get into the water before dawn, wearing a little protective gear, then you stand behind some reeds and wait for the story to present itself. This is not to say you are passive. You choose the place and the day. You pick the gun and the dog. You have the desire to blow the duck apart for reasons that are entirely your own. But you have to be willing to accept not what you wanted to have happen, but what happens. You have to write the story you find in the circumstances you've created, because more often than not the ducks don't show up. The hunters in the next blind begin to argue, and you realize they're in love. You see a snake swimming in your direction. Your dog begins to shiver and whine, and you start to think about this gun that belonged to your father. By the time you get out of the marsh, you will have written a novel so devoid of ducks it will shock you.
ANN PATCHETT
What Now?
I wish my prose to be transparent--I don't want the reader to stumble over me; I want him to look through what I'm saying to what I'm describing. I don't want him ever to say, Oh, goodness, how nicely written this is. That would be a failure.
V. S. NAIPAUL
The Paris Review, fall 1998
You might get the impression that I have a mild contempt for storytelling, which is only somewhat true. For example, I really like Agatha Christie. She obeys the rules of the genre at first, but then occasionally she manages to do very personal things. In my case, I think I start from the opposite point. At first, I don't obey, I don't plot, but then from time to time, I say to myself, Come on, there's got to be a story. I control myself. But I will never give up a beautiful fragment merely because it doesn't fit in the story.
MICHEL HOUELLEBECQ
The Paris Review, fall 2010
Writers in this country, particularly novelists, are likely to come to the medium through some back door. Nearly every writer I know was going to be something else, and then found himself writing by a kind of passionate default.
JOHN BARTH
The Paris Review, spring 1985
It is hard to make a good documentary about writing. Writing is internal, it slowly takes shape in a mind, sometimes after the not very cinematic process of staring at a wall until the words come.
JULIA COOPER
"Obit doc examines the art of the obituary at The New York Times", The Globe and Mail, March 30, 2017
I tend to write things seven times before I show them to my editor. I write them seven times, then I take them on tour, read them like a dozen times on tour, then go back to the room and rewrite, read and rewrite, and I try to learn as much as I can on my own before I show it to my editor at The New Yorker. I would never show him a first draft, because then he's really going to be sick of it by the twelfth draft.
DAVID SEDARIS
Oasis Magazine, June 2008
Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay. I'm always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality and it's very shocking to the system.
FLANNERY O'CONNOR
Mystery and Manners
You don't start out writing good stuff. You start out writing crap and thinking it's good stuff, and then gradually you get better at it. That's why I say one of the most valuable traits is persistence. It's just so easy to give up!
OCTAVIA E. BUTLER
Locus Magazine, June 2000
To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.
MARK TWAIN
"How to Tell a Story"
There are two men inside the artist, the poet and the craftsman. One is born a poet. One becomes a craftsman.
EMILE ZOLA
letter to Cezanne
So it is with all great writers: the beauty of their sentences is as unforeseeable as is that of a woman whom we have never seen; it is creative, because it is applied to an external object which they have thought of -- as opposed to thinking about themselves -- and to which they have not yet given expression.
MARCEL PROUST
Within a Budding Grove
Write only of what is important and eternal.
ANTON CHEKHOV
The Seagull