WRITING QUOTES XXXII

quotations about writing

You become a serious novelist by living long enough.

DON DELILLO

Conversations with Don DeLillo

Tags: Don DeLillo


Sometimes I pick up a book and I say: Well, so you've written it first, have you? Good for you. O.K., then I won't have to write it.

DORIS LESSING

The Golden Notebook

Tags: Doris Lessing


Go to any lengths to avoid preachiness! If you have to choose between the message and the story, always choose the story.

ELIZABETH ZELVIN

interview, The Fix

Tags: Elizabeth Zelvin


You know, many writers really don't like to write. I think this the chief complaint of so many. They hate to write; they do it under the compulsion that makes any artist the victim he is, but they loathe the process of sitting down trying to turn thoughts into reasonable sentences.

HARPER LEE

interview with Roy Newquist, Counterpoints, 1964

Tags: Harper Lee


Every author has the whole past to contend with; all the centuries are upon him. He is compared with Homer, Dante, Shakespeare, Milton.

HENRY WADSWORTH LONGFELLOW

Table-Talk

Tags: Henry Wadsworth Longfellow


Publishing is a terrible invasion of my privacy. I like to write. I live to write. But I write just for myself and my own pleasure.

J. D. SALINGER

attributed, Salinger: A Biography


I decided very early that I wanted to write. But I didn't think of it as a career. I didn't even think of it as a profession.... It was the most exciting thing, the most powerful thing, the most wonderful thing to do with my life. And I didn't question if I should -- I just kept sharpening the pencils!

MARY OLIVER

The Christian Science Monitor, December 9, 1992

Tags: Mary Oliver


I would be a liar, a hypocrite, or a fool--and I'm not any of those--to say that I don't write for the reader. I do. But for the reader who hears, who really will work at it, going behind what I seem to say. So I write for myself and that reader who will pay the dues.

MAYA ANGELOU

The Paris Review, fall 1990


A novel is balanced between a few true impressions and the multitude of false ones that make up most of what we call life.

SAUL BELLOW

Nobel lecture, December 12, 1976


I've discovered that rejections are not altogether a bad thing. They teach a writer to rely on his own judgment and to say in his heart of hearts, "To hell with you."

SAUL BELLOW

attributed, Putting Your Passion Into Print


There's no magic bullet for being a decent writer, or making people bond with your characters or fall in love with your story. Writing is a million different skills and challenges, and each story is different. But the more I struggle to make this work, the more I think there's one key thing that makes writing more excellent: Finding your own blind spots as an author, and trying to see into them.

CHARLIE JANE ANDERS

"The Single Most Important Thing You Can Do To Make Your Writing More Awesome", Gizmodo, February 25, 2016


Every character is an extension of the author's own personality.

EDWARD ALBEE

The New York Times, September 18, 1966

Tags: Edward Albee


As a writer -- it must be the same for actors -- you're used to dealing with the idea of death and all the big questions. Unless you're writing purely for five-year-olds, about bunnies, you're going to have to think about death. Your characters will die and people will live on afterwards who cared about them. You need to be able to empathise with them. Of course, we all go through it; we all have people close to us die. But as a writer you really have to think it through properly, or it'll all ring false. It's almost one of the perks of the trade that you're forced to think about that stuff fairly deeply. So maybe when it comes along in real life, you're slightly better prepared to deal with it.

IAIN M. BANKS

"Iain Banks: The Final Interview", The Guardian, June 14, 2013


In order to write the novel I'm committed to, I have to pretend that it's not only separate from everything I've written before, but also separate from anything anyone in the history of the universe has written. This is a grotesque delusion and a crass vanity, but also a creative necessity.

JULIAN BARNES

The Paris Review, winter 2000


At one time I used to keep notebooks with outlines for stories. But I found doing this somehow deadened the idea in my imagination. If the notion is good enough, if it truly belongs to you, then you can't forget it--it will haunt you till it's written.

TRUMAN CAPOTE

The Paris Review, spring-summer 1957

Tags: Truman Capote


In writing, as in speaking, less is more. When you are editing -- which should be immediately after you finish the writing for one session and again at least a day or more after you finished it -- look over the piece with a critical eye and cut, cut, cut.

ALI MADEEH HASHMI

"The art of writing", The News on Sunday, March 11, 2017


The public takes from a writer, or a writing, what it needs and lets the remainder go. But what they take is usually what they need least and what they let go is what they need most.

CHARLES BUKOWSKI

Notes of a Dirty Old Man

Tags: Charles Bukowski


You can only learn to be a better writer by actually writing. I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.

DORIS LESSING

The New York Times, April 22, 1984


A serious writer is not to be confused with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.

ERNEST HEMINGWAY

Death in the Afternoon


My method is to take the utmost trouble to find the right thing to say, and then to say it with the utmost levity.

GEORGE BERNARD SHAW

Answers to Nine Questions

Tags: George Bernard Shaw