WRITING QUOTES XXVIII

quotations about writing

Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.

WALTER BENJAMIN

One-Way Street

Tags: Walter Benjamin


I think writing for me has always been a matter of fear. Writing is fear and not writing is fear. I am afraid of writing and then I'm afraid of not writing.

FRAN LEBOWITZ

"In Conversation: Fran Lebowitz with Phong Bui", The Brooklyn Rail, March 4, 2014

Tags: Fran Lebowitz


Get an agent. Seriously, submitting stuff unagented means it will end up on the slush pile. An agent is the first quality filter, and a good agent is worth his or her weight in gold, as they'll often know the editors on a personal level and will be able to talk to them directly about the project.

TIM LEBBON

interview, The Horror Zine

Tags: Tim Lebbon


In writing, as in speaking, less is more. When you are editing -- which should be immediately after you finish the writing for one session and again at least a day or more after you finished it -- look over the piece with a critical eye and cut, cut, cut.

ALI MADEEH HASHMI

"The art of writing", The News on Sunday, March 11, 2017


I write a sentence a thousand times, changing it all the time to look at it in different ways.

FRAN LEBOWITZ

The Paris Review, summer 1993

Tags: Fran Lebowitz


I demand that my books be judged with utmost severity, by knowledgeable people who know the rules of grammar and of logic, and who will seek beneath the footsteps of my commas the lice of my thought in the head of my style.

LOUIS ARAGON

Treatise on Style

Tags: Louis Aragon


In the end, the secret of writing is to be a tortoise, not a hare.

JONATHAN KELLERMAN

"Novelist explains how psychology training honed his writing", USC News, February 25, 2016


Writers are greatly respected. The intelligent public is wonderfully patient with them, continues to read them, and endures disappointment after disappointment, waiting to hear from art what it does not hear from theology, philosophy, social theory, and what it cannot hear from pure science. Out of the struggle at the center has come an immense, painful longing for a broader, more flexible, fuller, more coherent, more comprehensive account of what we human beings are, who we are and what this life is for.

SAUL BELLOW

Nobel lecture, December 12, 1976

Tags: Saul Bellow


I don't like to write from a flat, cold position. You must like what you're doing very much or like the people -- either like them or hate them. You can't be indifferent.

SAUL BELLOW

Q & A at Howard Community College, February 1986


Writing is a conversation, to me. The best kind. You can't get interrupted.

GERALD ASHER

speech at the Symposium for Professional Wine Writers, February 2011

Tags: Gerald Asher


Theatre and publishing worship either precocious young writers or mute dead ones.

ROSEMARY JENKINSON

"Writing is not about youth but about spark", Irish Times, March 27, 2017


Fundamentally, all writing is about the same thing. It's about dying, about the brief flicker of time we have here, and the frustration it creates.

MORDECAI RICHLER

attributed, Mordecai & Me


I tend to be a plotter, just because I do have to write an outline of the book for my publisher, and I like to have an idea of where I'm headed. That said, I don't treat the outline as cast in stone, and I often get better ideas as I write, so the outline is a living thing. What often drives change is when I start writing a particular character and she or he asserts themselves more strongly than I thought they would.

JEFF ABBOTT

"At the Mercy of Storytellers: MysteryPeople Q&A with Jeff Abbott", Mystery People, July 17, 2017

Tags: Jeff Abbott


Pay attention only to the form; emotion will come spontaneously to inhabit it. A perfect dwelling always finds an inhabitant. The artist's business is to build the dwelling; as for the inhabitant, it is up to the reader to provide him.

ANDRE GIDE

Pretexts: Reflections on Literature and Morality

Tags: André Gide


Writing is eternal,
For therein the dead heart liveth, the clay-cold tongue is eloquent,
And the quick eye of the reader is cleared by the reed of the scribe.
As a fossil in the rock, or a coin in the mortar of a ruin,
So the symbolled thoughts tell of a departed soul:
The plastic hand hath its witness in a statue, and exactitude of vision in a picture,
And so, the mind, that was among us, in its writings is embalmed.

MARTIN FARQUHAR TUPPER

Proverbial Philosophy

Tags: Martin Farquhar Tupper


I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.

JEFF ABBOTT

Publisher's Weekly, May 30, 2011


Writing is a solitary pursuit and I think you have to be partially at peace with yourself, but it's the other part that's usually producing the stuff worth reading.

CRAIG JOHNSON

"A Conversation with Craig Johnson", The Cold Dish

Tags: Craig Johnson


I've always considered writing the most hateful kind of work. I suspect it's a bit like f***ing -- which is fun only for amateurs. Old whores don't do much giggling.

HUNTER S. THOMPSON

The Great Shark Hunt: Strange Tales from a Strange Time

Tags: Hunter S. Thompson


As a writer -- it must be the same for actors -- you're used to dealing with the idea of death and all the big questions. Unless you're writing purely for five-year-olds, about bunnies, you're going to have to think about death. Your characters will die and people will live on afterwards who cared about them. You need to be able to empathise with them. Of course, we all go through it; we all have people close to us die. But as a writer you really have to think it through properly, or it'll all ring false. It's almost one of the perks of the trade that you're forced to think about that stuff fairly deeply. So maybe when it comes along in real life, you're slightly better prepared to deal with it.

IAIN M. BANKS

"Iain Banks: The Final Interview", The Guardian, June 14, 2013


Getting out of bed of a morning has never been a problem, but I've noticed of late that my writing is better in the afternoon. The mornings are methodical, when all the blockwork and first-fix stuff takes place. The ornamentation or even de-ornamentation -- the things that separate writing from writing -- don't seem possible until later in the day, when I've established some perspective.

SIMON ARMITAGE

"Language is my enemy -- I spend my life battling with it", The Guardian, March 25, 2017