WRITING QUOTES XXVI

quotations about writing

The trouble with writing fiction is that it has to make sense, whereas real life doesn't. It's incredibly annoying for us scribblers.

IAIN M. BANKS

"Iain Banks: The Final Interview", The Guardian, June 14, 2013

Tags: Iain M. Banks


The true alchemists do not change lead into gold; they change the world into words.

WILLIAM H. GASS

A Temple of Texts

Tags: William H. Gass


There is absolutely everything in great fiction but a clear answer.

EUDORA WELTY

On Writing

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There is no ideal length, but you develop a little interior gauge that tells you whether or not you're supporting the house or detracting from it. When a piece gets too long, the tension goes out of it. That word--tension--has an animal insistence for me. A piece of writing rises and falls with tension. The writer holds one end of the rope and the reader holds the other end--is the rope slack, or is it tight? Does it matter to the reader what the next sentence is going to be?

JOHN JEREMIAH SULLIVAN

"Everything is more complicated than you think", The Economist, November 14, 2011

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There is no way of writing well and also of writing easily.

ANTHONY TROLLOPE

Barchester Towers

Tags: Anthony Trollope


To leave the reader free to decide what your work means, that's the real art; it makes the work inexhaustible.

URSULA K. LE GUIN

The Guardian, December 17, 2005

Tags: Ursula K. Le Guin


To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm's way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.

VIRGINIA WOOLF

The Common Reader


Wearing down seven number-two pencils is a good day's work.

ERNEST HEMINGWAY

The Paris Review, spring 1958

Tags: Ernest Hemingway


What you're trying to do when you write is to crowd the reader out of his own space and occupy it with yours, in a good cause. You're trying to take over his sensibility and deliver an experience that moves from mere information.

ROBERT STONE

The Paris Review, winter 1985

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When I write I don't aim to shock people, and I'm surprised when I do. But I don't think that anything that occurs in life should be omitted from art, though the artist should present it in a fashion that is artistic and not ugly. I set out to tell the truth. And sometimes the truth is shocking.

TENNESSEE WILLIAMS

The Paris Review, fall 1981


Why do you keep reading a book? Usually to find out what happens. Why do you give up and stop reading it? There may be lots of reasons. But often the answer is you don't care what happens. So what makes the difference between caring and not caring? The author's cruelty. And the reader's sympathy ... it takes a mean author to write a good story.

GAIL CARSON LEVINE

Writing Magic

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Writing is a tough thing and you only get better with practice. Just like free throws.

NICK WESTFALL

"Man writes directorial debut movie 'Finding Home'", myfox8, March 30, 2017


You must keep sending work out; you must never let a manuscript do nothing but eat its head off in a drawer. You send that work out again and again, while you're working on another one. If you have talent, you will receive some measure of success -- but only if you persist.

ISAAC ASIMOV

attributed, How to Become a Famous Writer Before You're Dead

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All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel.

MARGARET ATWOOD

The Blind Assassin

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However much the writer might long to be, in his work, simple, honest, and straightforward, these virtues are no longer available to him. He discovers that in being simple, honest, and straightforward, nothing much happens: he speaks the speakable, whereas what we are looking for is the as-yet unspeakable, the as-yet unspoken.

DONALD BARTHELME

"Not-Knowing"


I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.

JEFF ABBOTT

Publisher's Weekly, May 30, 2011


I don't think I'm cut out for a job where you have to look professionally tidy. I prefer working in my pajamas and taking showers after lunch.

KELLY LINK

"Words by Flashlight", Sybil's Garage, June 7, 2006

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I've got splinters in my nose from the best publishing doors in town.

RITA MAE BROWN

interview, Time, March 18, 2008

Tags: Rita Mae Brown


I've gotten a little superstitious about listening to music when I write. Once a story is going somewhere, I keep listening to the same music whenever I work on that story. It seems to help me keep in voice, and alternatively, if I need to make some kind of dramatic shift, I'll go and put on something different to shake myself awake.

KELLY LINK

"Words by Flashlight", Sybil's Garage, June 7, 2006

Tags: Kelly Link


What I like to do is write the story, see where it takes me -- and then check out the details I don't know. When I first started writing, there were a lot of things about the world that I understood but didn't have the vocabulary for -- and even more things that I just had no idea about. For instance, do you know all the parts of a door frame? Or what flowers bloom in the spring in alpine climates? There's a surprising amount of homework involved in writing a book.

PATRICIA BRIGGS

interview, Bitten by Books, March 30, 2010