quotations about writing
I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and turn it around again.
PHILIP ROTH
Ghost Writer
How one writes is a bit of a mystery to oneself. You just do it. My experience is that I sit down and write and I make it sound right to me, or sound good or interesting. And that's it.
ADAM PHILLIPS
"Poetry as Therapy", The Guardian, March 29, 2012
Writing is a solitary pursuit and I think you have to be partially at peace with yourself, but it's the other part that's usually producing the stuff worth reading.
CRAIG JOHNSON
"A Conversation with Craig Johnson", The Cold Dish
I have no pleasure in writing myself--none, in the mere act--though all pleasure in the sense of fulfilling a duty, whence, if I have done my real best, judge how heart-breaking a matter must it be to be pronounced a poor creature by critic this and acquaintance the other.
ROBERT BROWNING
letter to Elizabeth Barrett, March 12, 1845
Nothing is more clear than that every plot, worth the name, must be elaborated to its dénouement before any thing be attempted with the pen. It is only with the dénouement constantly in view that we can give a plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points, tend to the development of the intention.
EDGAR ALLAN POE
"The Philosophy of Composition"
The process of writing a novel is like taking a journey by boat. You have to continually set yourself on course. If you get distracted or allow yourself to drift, you will never make it to the destination. It's not like highly defined train tracks or a highway; this is a path that you are creating, discovering. The journey is your narrative.
WALTER MOSLEY
This Year You Write Your Novel
The cat sat on the mat is not a story. The cat sat on the other cat's mat is a story.
JOHN LE CARRÉ
attributed, The Creative Compass: Writing Your Way from Inspiration to Publication
Now, writing every day, and being paid for it and encouraged to do it, it was as if, in the midst of the clichéd dark and stormy night, I found the magical inn, its windows golden lit, and Summer was due to start tomorrow. I can only work at one thing well. Deprive me of that, and my "back-up plan," even now, will be the empty, stormy, darkened heath -- where, incidentally, even unpublished, somehow I'll still be writing.
TANITH LEE
interview, Intergalactic Medicine Show
I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph--each sentence, even--as I go along.
WILLIAM STYRON
The Paris Review, spring 1954
It was then that I saw the business of writing for what it truly was and is to me. It is your penance for not being lucky. It is an attempt to reach others and to make them love you. It is your instinctive protest, when you find you have no voice at the world's tribunals, and that no one will speak for you. I would give my entire output of words, past, present and to come, in exchange for easier access to the world, for permission to state "I hurt" or "I hate" or "I want". Or indeed, "Look at me". And I do not go back on this. For once a thing is known it can never be unknown. It can only be forgotten. And writing is the enemy of forgetfulness, or thoughtlessness. For the writer there is no oblivion. Only endless memory.
ANITA BROOKNER
Look at Me
The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.
EUDORA WELTY
On Writing
It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997
The moment comes when a character does or says something you hadn't thought about. At that moment he's alive and you leave it to him.
GRAHAM GREENE
New York Times, October 9, 1985
I don't believe in the notion that some characters have lives of their own and the author follows after them. The author has to be careful not to force the character to do something that would go against the logic of that character's personality, but the character does not have independence. The character is trapped in the author's hand, in my hand, but he is trapped in a way he does not know he is trapped. The characters are on strings, but the strings are loose; the characters enjoy the illusion of freedom, of independence, but they cannot go where I do not want them to go. When that happens, the author must pull on the string and say to them, I am in charge here.
JOSÉ SARAMAGO
The Paris Review, winter 1998
Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.
MARTIN AMIS
The Paris Review, spring 1998
The process of creating is related to the process of dreaming although when you are writing you're doing it and when you're dreaming, it's doing you.
ROBERT STONE
attributed, A Writer's Book of Days
Don't write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen.
JACK LONDON
"Getting Into Print", Editor magazine, 1903
You can only learn to be a better writer by actually writing. I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.
DORIS LESSING
The New York Times, April 22, 1984
It is usual that the moment you write for publication--I mean one of course--one stiffens in exactly the same way one does when one is being photographed. The simplest way to overcome this is to write it to someone, like me. Write it as a letter aimed at one person. This removes the vague terror of addressing the large and faceless audience and it also, you will find, will give a sense of freedom and a lack of self-consciousness.
JOHN STEINBECK
The Paris Review, fall 1975
In utter loneliness a writer tries to explain the inexplicable.
JOHN STEINBECK
New York Times, June 2, 1969