quotations about writing
I've increasingly been interested in leaving gaps and unresolved elements within a novel, trying to escape from the model of the novel as something in which there is a secret that, when revealed, will make all clear. It seems to me too unlike life, too convenient, too fictional.
ALAN HOLLINGHURST
The Paris Review, winter 2011
I don't begin a novel with a shopping list--the novel becomes my shopping list as I write it. It's like that joke about the violin maker who was asked how he made a violin and answered that he started with a piece of wood and removed everything that wasn't a violin. That's what I do when I'm writing a novel, except somehow I'm simultaneously generating the wood as I'm carving it.
WILLIAM GIBSON
The Paris Review, summer 2011
I write because I hate. A lot. Hard.
WILLIAM H. GASS
The Paris Review, summer 1977
I believe so. In its beginning, dialogue's the easiest thing in the world to write when you have a good ear, which I think I have. But as it goes on, it's the most difficult, because it has so many ways to function. Sometimes I needed to make a speech do three or four or five things at once--reveal what the character said but also what he thought he said, what he hid, what others were going to think he meant, and what they misunderstood, and so forth--all in his single speech. And the speech would have to keep the essence of this one character, his whole particular outlook in concentrated form. This isn't to say I succeeded. But I guess it explains why dialogue gives me my greatest pleasure in writing.
EUDORA WELTY
The Paris Review, fall 1972
I can't leave a chapter alone until I think it's as good as I can make it at that time. Often I will reach a stage, say, a third of the way into the book, where I realize there's something very wrong. Everything starts to feel shallow and false and unsatisfactory. At that stage I'll go back to the beginning. I might have written only fifty pages, but it's like a cantilever and the whole thing is getting very shaky because I haven't thought things through properly. So I'll start again and I'll write all the way through and then just keep going until it starts to get shaky again, and then I'll go back because I'll know that there's something really considerable, something deeply necessary waiting to be discovered or made. Often these are unbelievably big things. Sometimes they are things that readers will ultimately think the book is about.
PETER CAREY
The Paris Review, summer 2006
Well, the secret to writing is writing. It's only a secret to people who don't want to hear it. Writing is how you be a writer.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
If you stuff yourself full of poems, essays, plays, stories, novels, films, comic strips, magazines, music, you automatically explode every morning like Old Faithful. I have never had a dry spell in my life, mainly because I feed myself well, to the point of bursting. I wake early and hear my morning voices leaping around in my head like jumping beans. I get out of bed to trap them before they escape.
RAY BRADBURY
attributed, The Writer's Workout
When I write, I go to live inside the book. By which I mean, mentally I can experience everything I'm writing about. I can see it, hear its sounds, feel its heat or rain. The characters become better known to me than the closest family or friends. This makes the writing-down part very simple most of the time. I only need to describe what's already there in front of me. That said, it won't be a surprise if I add that the imagined worlds quickly become entangled with the so-called reality of this one. Since I write almost every day, and I think (and dream) constantly about my work, it occurs to me I must spend more time in all these places than here.
TANITH LEE
author's note, Wolf Tower
If you want to write ... You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads.
RAY BRADBURY
attributed, Words from the Wise
There is a realm of possible knowledge which can be reached by artists, which is not susceptible of mathematical verification but which is true. This is sometimes spoken as the ineffable. If there is any word I detest in the language, this would be it, but the fact that it exists, the word ineffable, is suspicious in that it suggests that there might be something that is ineffable. And I believe that that's the place artists are trying to get to, and I further believe that when they are successful, they reach it.
DONALD BARTHELME
"A Symposium of Fiction"
When I am asked how or why I wrote this or that, I always find myself quite embarassed. I would gladly furnish not merely the questioner, but myself as well, with an exhaustive answer, but can never do so. I cannot recreate the context in its entirety, yet I wish that I could, so that at least the literature I myself make might be made slightly less of a mysterious process than bridge-building and bread-baking.
HEINRICH BÖLL
Nobel Lecture, May 2, 1973
Sometimes I think that my best writing comes from exposing my fears and vulnerabilities and hoping that nobody notices it's about me.
VICTORIA LAURIE
Twitter post, October 13, 2014
The purpose of a writer is to keep civilization from destroying itself.
ALBERT CAMUS
attributed, 2012: Waking of the Prophets
Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story.
KELLY LINK
interview, Apex Magazine, July 2, 2013
I gotta pound the keys for the ideas to flow.
KIRBY LARSON
interview, Author Turf, March 6, 2014
I tend to be very much a planner. I mean obviously details veer in the telling all the time, that's clearly the case, but in terms of the broad architecture of a book I plot carefully and if things start to veer halfway through, I tend to stop and either pull them back on course, or if I realize they are going in a better direction, I extrapolate and work out what effect this is going to have further down. I am not one of these writers who is able to enjoy flying by the sit of my pants. And there's no value judgment there, incidentally. I am very well aware that some absolutely fantastic, wonderful writers do that. For me, no, I cannot do it. I have to plan quite meticulously.
CHINA MIÉVILLE
"In a Carapace of Light: A Conversation with China Miéville", Clarkesworld
I hate writing. I so intensely hate writing -- I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn't really succeed in telling what I wanted to tell, that I need a new project -- it's an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.
SLAVOJ ZIZEK
Conversations with Zizek
I cannot and do not live in the world of discretion, not as a writer, anyway. I would prefer to, I assure you -- it would make life easier. But discretion is, unfortunately, not for novelists.
PHILIP ROTH
Deception: A Novel
There is only one way to make money at writing, and that is to marry a publisher's daughter.
GEORGE ORWELL
Down and Out in Paris and London
A great writer creates a world of his own and his readers are proud to live in it. A lesser writer may entice them in for a moment, but soon he will watch them filing out.
CYRIL CONNOLLY
Enemies of Promise