WRITING QUOTES XVIII

quotations about writing

There is a realm of possible knowledge which can be reached by artists, which is not susceptible of mathematical verification but which is true. This is sometimes spoken as the ineffable. If there is any word I detest in the language, this would be it, but the fact that it exists, the word ineffable, is suspicious in that it suggests that there might be something that is ineffable. And I believe that that's the place artists are trying to get to, and I further believe that when they are successful, they reach it.

DONALD BARTHELME

"A Symposium of Fiction"


Don't write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen.

JACK LONDON

"Getting Into Print", Editor magazine, 1903


With 60 staring me in the face, I have developed inflammation of the sentence structure and a definite hardening of the paragraphs.

JAMES THURBER

New York Post, June 30, 1955

Tags: James Thurber


It didn't occur to me that my books would be widely read at all, and that enabled me to write anything I wanted to. And even once I realized that they were being read, I still wrote as if I were writing in secret. That's how one has to write anyway--in secret.

LOUISE ERDRICH

The Paris Review, winter 2010


That's also part of having great editors -- they can sort of be honest with you and say, "I see where you're headed with this, but I don't think it's there yet. Dig deeper, babe, and come back with something more." And that's what you do, you dig waaaaaaaay down and you walk around the block eight million times and then you have it -- shazam! And it all comes together in something soooo much better than you thought you were capable of.

VICTORIA LAURIE

interview, Author's Den

Tags: Victoria Laurie


In secluding himself too much from society, an author is in danger of losing that intimate acquaintance with life which is the only sure foundation of power in a writer.

CHRISTIAN NESTELL BOVEE

Intuitions and Summaries of Thought

Tags: Christian Nestell Bovee


I held out my book. It was precious to me, as were all the things I'd written; even where I despised their inadequacy there was not one I would disown. Each tore its way from my entrails. Each had shortened my life, killed me with its own special little death.

TANITH LEE

The Book of the Damned

Tags: Tanith Lee


I write from a thorough conviction that it is the duty of me, and with the belief that, after every drawback and shortcoming, I do my best, all things considered--that is for me, and, so being, the not being listened to by one human creature would, I hope, in nowise affect me.

ROBERT BROWNING

letter to Elizabeth Barrett, February 11, 1845

Tags: Robert Browning


I try to write every day. I used to try to write four times a day, minimum of three sentences each time. It doesn't sound like much but it's kinda like the hare and the tortoise. If you try that several times a day you're going to do more than three sentences, one of them is going to catch on. You're going to say "Oh boy!" and then you just write. You fill up the page and the next page. But you have a certain minimum so that at the end of the day, you can say "Hey I wrote four times today, three sentences, a dozen sentences. Each sentence is maybe twenty word long. That's 240 words which is a page of copy, so at least I didn't goof off completely today. I got a page for my efforts and tomorrow it might be easier because I've moved as far as I have."

ROGER ZELAZNY

interview, Phlogiston, 1995


To write is to act.

HENRI-DOMINIQUE LACORDAIRE

Letters to Young Men

Tags: Henri-Dominique Lacordaire


I really think that reading is just as important as writing when you're trying to be a writer. Because it's the only apprenticeship we have.

JOHN GREEN

"Nov. 26th: Writing Advice (And Notes on Surnameless Tiffany)", YouTube

Tags: John Green


Nothing bad can happen to a writer. Everything is material.

PHILIP ROTH

attributed, Literary Agents: How to Get & Work With the Right One For You


If a high quality of writing is to occur, it is reasonable to acknowledge that an open mind and a critical ear are essential tools that are used during all phases of revision.

GARRETT SAYERS

"Reading Aloud Is Essential to Quality Writing", Liberty Voice, January 31, 2016


As we understand it, the surest way to make a living by the pen is to raise pigs.

ROBERT ELLIOTT GONZALES

Poems and Paragraphs

Tags: Robert Elliott Gonzales


I have no taste for either poverty or honest labor, so writing is the only recourse left for me.

HUNTER S. THOMPSON

The Proud Highway

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Writing is a job, a talent, but it's also the place to go in your head. It is the imaginary friend you drink your tea with in the afternoon.

ANN PATCHETT

Truth and Beauty

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Many great writers address audiences who do not exist; to address passionately and sometimes with very great wisdom people who do not exist has this advantage--that there will always be a group of people who, seeing a man shouting apparently at somebody or other, and seeing nobody else in sight, will think it is they who are being addressed.

WYNDHAM LEWIS

The Art of Being Ruled

Tags: Wyndham Lewis


It is usual that the moment you write for publication--I mean one of course--one stiffens in exactly the same way one does when one is being photographed. The simplest way to overcome this is to write it to someone, like me. Write it as a letter aimed at one person. This removes the vague terror of addressing the large and faceless audience and it also, you will find, will give a sense of freedom and a lack of self-consciousness.

JOHN STEINBECK

The Paris Review, fall 1975


If you over-plot your book you strangle your characters. Your characters have to have enough freedom and life to be able to surprise you.

ALAN LIGHTMAN

interview, Identity Theory, November 16, 2000

Tags: Alan Lightman


I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike.

MARTIN AMIS

The Paris Review, spring 1998