English essayist, poet & playwright (1672-1719)
A man governs himself by the dictates of virtue and good sense, who acts without zeal or passion in points that are of no consequence; but when the whole community is shaken, and the safety of the public endangered, the appearance of a philosophical or an affected indolence must arise either from stupidity or perfidiousness.
JOSEPH ADDISON
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The Freeholder, Feb. 3, 1716
To be exempt from the passions with which others are tormented, is the only pleasing solitude.
JOSEPH ADDISON
The Spectator, Mar. 5, 1711
Modesty is not only an ornament, but also a guard to virtue.
JOSEPH ADDISON
The Spectator, Nov. 24, 1711
Music, the greatest good that mortals know, and all of heaven we have here below.
JOSEPH ADDISON
A Song for St. Cecilia's Day
It is a great presumption to ascribe our successes to our own management, and not to esteem ourselves upon any blessing, rather as it is the bounty of heaven, than the acquisition of our own prudence.
JOSEPH ADDISON
The Spectator, Feb. 5, 1712
Were all the vexations of life put together, we should find that a great part of them proceed from those calumnies and reproaches we spread abroad concerning one another.
JOSEPH ADDISON
The Spectator, September 15, 1714
What means this heaviness that hangs upon me?
This lethargy that creeps through all my senses?
Nature, oppress'd and harrass'd out with care,
Sinks down to rest.
JOSEPH ADDISON
Cato
Blessings may appear under the shape of pains, losses and disappointments; but let him have patience, and he will see them in their proper figures.
JOSEPH ADDISON
The Guardian, Jul. 25, 1713
It is ridiculous for any man to criticize on the works of another, who has not distinguished himself by his own performances.
JOSEPH ADDISON
The Tatler, Oct. 19, 1710
Sunday clears away the rust of the whole week.
JOSEPH ADDISON
The Spectator, Jul. 9, 1711
For how few ambitious men are there, who have got as much fame as they desired, and whose thirst after it has not been as eager in the very height of their reputation, as it was before they became known and eminent among men?
JOSEPH ADDISON
The Spectator, No. 256
Among great geniuses those few draw the admiration of all the world upon them, and stand up as the prodigies of mankind, who, by the mere strength of natural parts, and without any assistance of art or learning, have produced works that were the delight of their own times and the wonder of posterity. There appears something nobly wild and extravagant in these great natural geniuses, that is infinitely more beautiful than all turn and polishing of what the French call a bel esprit, by which they would express a genius refined by conversation, reflection, and the reading of the most polite authors. The greatest genius which runs through the arts and sciences takes a kind of tincture from them and falls unavoidably into imitation.
JOSEPH ADDISON
"Genius", Essays and Tales
Those marriages generally abound most with love and constancy that are preceded by a long courtship.
JOSEPH ADDISON
The Spectator, Dec. 29, 1711
When I read the several dates of the tombs, of some that died yesterday, and some six hundred years ago, I consider that great day when we shall all of us be contemporaries, and make our appearance together.
JOSEPH ADDISON
Thoughts in Westminster Abbey
Oh! think what anxious moments pass between the birth of plots, and their last fatal periods. Oh! 'Tis a dreadful interval of time, filled up with horror all, and big with death!
JOSEPH ADDISON
Cato
I shall endeavor to enliven morality with wit, and to temper wit with morality.
JOSEPH ADDISON
The Spectator, Mar. 11, 1711
One of the best springs of generous and worthy actions, is having generous and worthy thoughts of ourselves: whoever has a mean opinion of the dignity of his nature will act in no higher a rank than he has allotted himself in his own estimation.
JOSEPH ADDISON
The Spectator, October 31, 1711
A just and reasonable modesty does not only recommend eloquence, but sets off every great talent which a man can be possessed of. It heightens all the virtues which it accompanies; like the shades in paintings, it raises and rounds every figure, and makes the colours more beautiful, though not so glaring as they would be without it.
JOSEPH ADDISON
The Spectator, November 24, 1711
Many of these great natural geniuses, that were never disciplined and broken by rules of art, are to be found among the ancients, and in particular among those of the more Eastern parts of the world. Homer has innumerable flights that Virgil was not able to reach, and in the Old Testament we find several passages more elevated and sublime than any in Homer. At the same time that we allow a greater and more daring genius to the ancients, we must own that the greatest of them very much failed in, or, if you will, that they were much above the nicety and correctness of the moderns. In their similitudes and allusions, provided there was a likeness, they did not much trouble themselves about the decency of the comparison: thus Solomon resembles the nose of his beloved to the tower of Lebanon which looketh towards Damascus, as the coming of a thief in the night is a similitude of the same kind in the New Testament. It would be endless to make collections of this nature. Homer illustrates one of his heroes encompassed with the enemy, by an ass in a field of corn that has his sides belaboured by all the boys of the village without stirring a foot for it; and another of them tossing to and fro in his bed, and burning with resentment, to a piece of flesh broiled on the coals. This particular failure in the ancients opens a large field of raillery to the little wits, who can laugh at an indecency, but not relish the sublime in these sorts of writings. The present Emperor of Persia, conformable to this Eastern way of thinking, amidst a great many pompous titles, denominates himself "the sun of glory" and "the nutmeg of delight." In short, to cut off all cavilling against the ancients, and particularly those of the warmer climates, who had most heat and life in their imaginations, we are to consider that the rule of observing what the French call the bienseance in an allusion has been found out of later years, and in the colder regions of the world, where we could make some amends for our want of force and spirit by a scrupulous nicety and exactness in our compositions. Our countryman Shakespeare was a remarkable instance of this first kind of great geniuses.
JOSEPH ADDISON
"Genius", Essays and Tales
There is no greater sign of a bad cause, than when the patrons of it are reduced to the necessity of making use of the most wicked artifices to support it.
JOSEPH ADDISON
The Freeholder, Jan. 13, 1716