Canadian writer (1951- )
When you're invisible, no one can see that you're different.
CHARLES DE LINT
"Pal o' Mine", The Ivory and the Horn
All my life I've wanted to be the kid who gets to cross over into the magical kingdom.
CHARLES DE LINT
The Onion Girl
I never even considered writing a career option. I just liked the play of words. I was certainly interested in story, but the stories I was telling then were in narrative verse and prose poems, short and succinct, except for one novel-length poem written in narrative couplets.
CHARLES DE LINT
"One Thing Leads to Another: An Interview with Charles de Lint", The Yalsa Hub, September 19, 2013
Sculptors, poets, painters, musicians--they're the traditional purveyors of Beauty. But it can as easily be created by a gardener, a farmer, a plumber, a careworker.
CHARLES DE LINT
The Onion Girl
It may sound trite, but using the weapons of the enemy, no matter how good one's intentions, makes one the enemy.
CHARLES DE LINT
The Little Country
It's one of those inexplicable things. I remember stepping out of the airport the first time we came to Tucson (it must fifteen years or so ago, now) and I just felt like I was home. I'm not sure why. Maybe it's because I lived in desert country when I was a kid (Turkey, Lebanon, with lots of side trips through the Middle East and Egypt). Maybe it was from reading all those Louis L'Amour and Zane Grey westerns when I was a kid. Maybe it's because it was once a sea and we all came from there originally.
CHARLES DE LINT
interview with Kim Antieau, April 28, 2008
Thing is, while I know better, I like sounding ignorant. Talk like this and people figure you're about as dumb as a fencepost, which suits me fine. Makes it all that much easier to take advantage of 'em.
CHARLES DE LINT
The Onion Girl
One expected growth, change; without it, the world was less, the well of inspiration dried up, the muses fled.
CHARLES DE LINT
Memory and Dream
The moon likes secrets ... and secret things. She lets mysteries bleed into her shadows and leaves us to ask whether they originated from otherworlds, or from our own imaginations.
CHARLES DE LINT
Dreams Underfoot
I'm pretty much fixated on certain themes. Family, but it's family of choice as much as family of blood. Individuality, yes, but not at the cost of others' happiness. Be true to your friends. Remembering to find some wonder and hope in the world. Basically it boils down to: treat people like you'd like them to treat you, leave the world a little better than it was when you got here, respect others and stand up for those who can't stand up for themselves.
CHARLES DE LINT
"A Conversation With Charles de Lint", SFsite, 2000
I was a misfit, but I think most teenagers feel that way. I don't care if you were a popular jock or the kid who spent his lunch hours in a stairwell reading a book, we all seem to have dealt with insecurities of one kind or another throughout our high school years.
CHARLES DE LINT
"One Thing Leads to Another: An Interview with Charles de Lint", The Yalsa Hub, September 19, 2013
It's good to have mysteries. It reminds us that there's more to the world than just making do and having a bit of fun.
CHARLES DE LINT
"Paperjack", Dreams Underfoot: The Newford Collection
I think you're all mad. But that's part and parcel of being an artistic genius, isn't it?
CHARLES DE LINT
"Baiting the Hook", Memory and Dream
If you're not ready to die, then how can you live?
CHARLES DE LINT
Svaha
The trouble with magic is that there's too much it just can't fix. When things go wrong, glimpsing junkyard faerie and crows that can turn into girls and back again doesn't help much. The useful magic's never at hand. The three wishes and the genies in bottles, seven-league boots, invisible cloaks and all. They stay in the stories, while out here in the wide world we have to muddle through as best we can on our own.
CHARLES DE LINT
The Onion Girl
Fortune-telling doesn't reveal the future; it mirrors the present. It resonates against what your subconscious already knows and hauls it up out of the darkness so you can get a good look at it.
CHARLES DE LINT
"Paperjack", Dreams Underfoot: The Newford Collection
People who've never read fairy tales ... have a harder time coping in life than the people who have. They don't have access to all the lessons that can be learned from the journeys through the dark woods and the kindness of strangers treated decently, the knowledge that can be gained from the company and example of Donkeyskins and cats wearing boots and steadfast tin soldiers. I'm not talking about in-your-face lessons, but more subtle ones. The kind that seep up from your subconscious and give you moral and humane structures for your life. That teach you how to prevail, and trust. And maybe even to love.
CHARLES DE LINT
The Onion Girl
I don't know what's waiting for us when we die--something better, something worse. I only know I'm not ready to find out yet.
CHARLES DE LINT
The Onion Girl
The only real reason for self-referencing is the fun factor. It's fun for the writer, getting little peeks at what old characters might be up to. And it's fun for readers to spot a familiar face, or pick up on a made-up book title or something from an earlier story. I don't know that it does -- or even should -- contribute to the story in hand being any better than it would have been without it.
CHARLES DE LINT
"A Conversation With Charles de Lint", SFsite, 2000
We end up stumbling our way through the forest, never seeing all the unexpected and wonderful possibilities and potentials because we're looking for the idea of a tree, instead of appreciating the actual trees in front of us.
CHARLES DE LINT
Tapping the Dream Tree