American author (1929- )
Writers need to learn their trade, and how to negotiate the increasingly difficult marketplace. The trade can be taught and learned just as the craft can. But a workshop where the trade is the principal focus of interest is not a writing workshop. It is a business class.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
When you work in form, be it a sonnet or villanelle or whatever, the form is there and you have to fill it. And you have to find how to make that form say what you want to say. But what you find, always--I think any poet who's worked in form will agree with me--is that the form leads you to what you want to say.
URSULA K. LE GUIN
interview, The Paris Review, fall 2013
Truth, as ever, avoids the stranger.
URSULA K. LE GUIN
City of Illusions
To which Silence of course made no reply, letting him hear what he had said and feel its foolishness thoroughly.
URSULA K. LE GUIN
Tales from Earthsea
To think that realistic fiction is by definition superior to imaginative fiction is to think imitation is superior to invention.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
To leave the reader free to decide what your work means, that's the real art; it makes the work inexhaustible.
URSULA K. LE GUIN
The Guardian, December 17, 2005
There are very real differences between science fiction and realistic fiction, between horror and fantasy, between romance and mystery. Differences in writing them, in reading them, in criticizing them. Vive les différences! They're what gives each genre its singular flavor and savor, its particular interest for the reader--and the writer.
URSULA K. LE GUIN
interview, Electric Lit, August 7, 2014
The danger in trying to do good is that the mind comes to confuse the intent of goodness with the act of doing things well.
URSULA K. LE GUIN
Tales from Earthsea
O foolish writer. Now moves. Even in storytime, dreamtime, once-upon-a-time, now isn't then.
URSULA K. LE GUIN
foreward, Tales from Earthsea
Nothing succeeds like success.
URSULA K. LE GUIN
The Left Hand of Darkness
Men are afraid of virgins, but they have a cure for their own fear and the virgin's virginity.
URSULA K. LE GUIN
"The Space Crone", Co-Evolution Quarterly, summer 1976
If I had to pick a hero, it would be Charles Darwin--the size of his mind, which included all that scientific curiosity and knowledge seeking, and the ability to put it all together. There is a genuine spirituality about Darwin's thinking.
URSULA K. LE GUIN
interview, The Paris Review, fall 2013
Have you never thought how danger must surround power as shadow does light?
URSULA K. LE GUIN
A Wizard of Earthsea
Go to bed; tired is stupid.
URSULA K. LE GUIN
A Wizard of Earthsea
Children know perfectly well that unicorns aren't real, but they also know that books about unicorns, if they are good books, are true books.
URSULA K. LE GUIN
The Language of the Night: Essays on Fantasy and Science Fiction
Virginity is now a mere preamble or waiting room to be got out of as soon as possible; it is without significance. Old age is similarly a waiting room, where you go after life’s over and wait for cancer or a stroke. The years before and after the menstrual years are vestigial: the only meaningful condition left to women is that of fruitfulness.
URSULA K. LE GUIN
"The Space Crone", Co-Evolution Quarterly, summer 1976
Privacy, in fact, was almost as desirable for physics as it was for sex.
URSULA K. LE GUIN
The Dispossessed
I don't think science fiction is a very good name for it, but it's the name that we've got. It is different from other kinds of writing, I suppose, so it deserves a name of its own. But where I can get prickly and combative is if I'm just called a sci-fi writer. I'm not. I'm a novelist and poet. Don't shove me into your damn pigeonhole, where I don't fit, because I'm all over. My tentacles are coming out of the pigeonhole in all directions.
URSULA K. LE GUIN
interview, The Paris Review, fall 2013
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
Morality is an utterly meaningless term unless defined as the good one does to others, the fulfilling of one's function in the sociopolitical whole.
URSULA K. LE GUIN
The Lathe of Heaven